More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
源自:
我也来说说:
友情提示:请勿长时间观看影视,注意保护视力并预防近视,合理安排时间,享受健康生活。E-mail:mp4a67@yeah.net
免责声明:本站所有内容来源于互联网相关站点搜索的资源,本站只提供web页面信息,下载链接为自动生成的伪链接。